In an astonishingly short space of time, Chicago-based artist Theaster Gates has incubated compelling new models for legacy building, social transformation, and making art. Encompassing sculpture, painting, ceramics, video, performance, and music, his art both derives from and sustains ambitious urban renewal projects, creating hubs and archives for black culture, which serve as catalysts for discussions on race, equality, space, and history.
For his first solo museum exhibition in France, Theaster Gates has initiated an entirely new project that explores social histories of migration and interracial relations using a specific episode in American history as his point of departure to address larger questions of black subjugation and the imperial sexual domination and racial mixing that resulted from it. These historical themes and their material realities have given rise to new cinematographic, sculptural and musical perspectives in Theaster Gates’s oeuvre, while enabling Theaster Gates to examine the history of land ownership and race relations in the Northeastern United States.