By Lydia Baggs
Revisiting the turbulent time of political and social crisis in the United States is the focus of work by one of America’s most influential artists, and his creation is now here in Liverpool.
By Debasish Chakraborty
Chicago-based artist and the professor at the University of Chicago in the Department of Visual Arts, Theaster Gates was honoured at the 26th Annual Crystal Award in Davos, for his leadership in creating sustainable communities.
By Anton Spice
Ambient, gospel and jazz influences combine in live recording with The Black Monks.
By Linda Luscombe
Theaster Gates is swooping around and through the audience like a low-flying eagle circling a lake. It’s dark, but a band is playing Grace Jones covers, he’s a very good roller-skater, and he trusts the smoothness of the floor he installed. Occasionally he straightens a bit and shouts, “This is not a conference!” and sometimes “This is not a f-cking conference!”
By Britt Julious
This moment has been a long time coming for music director, artist, and producer Peter CottonTale.
“There’s been those types of songs you hold on to no matter what. And you’re like, this is so good, and I don’t know what to do with it,” CottonTale began. “If you can relate in that aspect, I took all those songs … and I just finished all of those.”
By Sharon Mizota
Theaster Gates wants to give you the shirt off his back. Rather, he wants you to buy it, upcycled as art.
By Jan Dalley
The multitalented artist lays out his vision at Frieze’s annual Art & Architecture Summit in London.
By Ellie Pithers
For an artist so preoccupied with fiction, fashion is a relatively undiscovered country for Theaster Gates.
By The Spaces Team
Frieze London kicks off next week and to coincide artist Theaster Gates is taking over The Store X, 180 The Strand with a super-size installation and live-events programme – the latest instalment of his Black Image Corporation.
Featuring The Vinyl Factory Radio and a programme of talks, screenings, and live performances presented by Prada Mode.
Chicago artist Theaster Gates’ Black Image Corporation installation will open in London as part of Prada Mode during Frieze week on October 2-3.
By Mark Westall
Prada presents the third iteration of Prada Mode, a travelling social club with a focus on contemporary culture that provides members a unique art experience along with music, dining, and conversations.
By Peter Plagens
It’s a slow weekday at the Walker Art Center, and only a handful of visitors are in the installation by Theaster Gates (b. 1973), the black “social practice” artist and University of Chicago visual arts professor. Part art exhibition and part sociology research project, Mr. Gates’s “Assembly Hall” is an essay on American racism.
By The Editors of ARTnews
On Wednesday evening in Chicago, guests previewed “In the Absence of Light: Gesture, Humor and Resistance in the Black Aesthetic,” an exhibition at Stony Island Arts Bank presented by the Rebuild Foundation in partnership with Expo Chicago, ARTnews, and the Beth Rudin DeWoody Collection. The show was organized by artist Theaster Gates in collaboration with Beth Rudin DeWoody and Laura Dvorkin.
By Malcolm Cooke
The idea of archiving is essential to Theaster Gates’ new exhibit at the Walker Art Center, Assembly Hall.
By Euan Kerr
Victoria Sung, assistant curator at the Walker Art Center, thinks carefully on how to describe Theaster Gates’ work.
"I would say he is a world maker," she said.
By Caroline Goldstein
For artist Theaster Gates, the act of creating artwork doesn’t necessarily start out with making the object itself. Often, it’s an a matter of uniting artifacts, repurposing found materials, and then exhibiting them from a new perspective.
By Alicia Eler
With a sprinkle of "Theaster dust," a Chicago artist finds deeper meanings in discarded objects at the Walker.
By Andrew Russeth
“For me, always, the frustration is I’d like more of the work to get out there,” said Beth Rudin DeWoody, discussing her preference for sharing the artworks she collects with the public over having them in storage or at home.
In 2017 the Obayashi Foundation launched a new grant program, “Visions of the City—Obayashi Foundation Research Program.” Based on the recommendations of our five-member selection committee, every two years this program awards a research grant to an artist from Japan or abroad endowed with an abundance of creative ideas and a strong interest in cities.
By Adrian Gomez
Albuquerque has the ability to determine its future.
And, at the same time, build up its artistic community.
“It’s clear that the richness of Albuquerque is its people and the spaces,” artist and activist Theaster Gates told a group in Albuquerque last week.
By Taylor Dafoe
The artist will lead his Black Artists Retreat at the Park Avenue Armory's Drill Hall in October.
By Jasmine Weber
The collection of never-before-showcased objects materialize the underpinnings of urban livelihoods: commerce, culture, ancestry, trauma, which, particularly for Black Americans, are inextricably entwined.
By Natalie Wade
“When did they start doing that?” exclaimed a woman entering the CTA Red Line station at 95th Street. Before her stood the station’s latest addition, AESOP (An Extended Song of Our People), a DJ booth. Like most people walking to and from the platform, she can’t help but linger for a moment, letting her shoulders sway to the beat. The speakers, although loud, do not feel invasive or migraine inducing as the sound bounces along grey walls to spread a jazzy, hip-hop infusion throughout the station, and a feeling of warmth on a summer day that felt too much like early fall.
The cover of Ebony magazine’s February 1968 issue consists of a montage of images of paintings by Charles Alston, Hughie-Lee Smith, Romare Bearden, William H. Johnson, Merton D. Simpson, and Edward Mitchell Bannister beside the headline “Evolution of Afro-American Art: 1800-1950.” Above these images, in the upper righthand corner, is another headline: “Was Abe Lincoln a White Supremacist.” This copy of Ebony sits atop a pile of others in one of the vitrines in “The Black Image Corporation,” an exhibition curated by Theaster Gates and running at the Martin Gropius Bau until July 28.
By Mark Westall
In the title of the show, the term ‘Afro’ refers to both African-American culture as well as to its iconic hairstyle, re-appropriated during the 1960s and 1970s by Black post-civil rights leadership as a symbol of Black identity and empowerment. The Japanese term ‘mingei’, coined by the philosopher and cultural figure Soetsu Yanagi, along with potters Shoji Hamada and Kanjiro Kawai, denotes folk or craft objects made by local, often unknown craftsmen. For Yanagi, craft challenged conventional ideas of art and beauty since it evolved from traditional practices where the divisions between art, philosophy and religion had merged or disappeared.
By Murray Whyte
In 2017, when Theaster Gates had a solo exhibition at the National Gallery in Washington, D.C., he brought with him as much of Chicago as he could. In the gallery, Gates placed a hunk of gymnasium floor cobbled from the ruins of razed schools; one side of the peaked slate roof of the city’s demolished St. Laurence Church, sifted from its debris; and a watchtower-like structure filled with back issues of the defunct Ebony magazine, a flagship of the Chicago-based Johnson Publishing, which for 70 years had chronicled black life in America with a celebratory and sympathetic approach.
By Ali Oriaku
After five years of planning and construction, Chicago-based architecture and planning firm Farr Associates and artist Theaster Gates have dramatically transformed a 60-year-old dormitory at the University of Chicago into a state-of-the-art research center and student hub, known as the Keller Center.
By Bob Keyes
The installation by artist-in-residence Theaster Gates allows viewers to pick up framed photos from the archive of Jet and Ebony magazines.
By Steve Johnson
In the span of a few days earlier this month, Theaster Gates was walking through his new gallery show just hours before it opened, explaining to visiting friends and journalists the thinking behind, for instance, one of its centerpieces, his reclaimed neon sign from a Rothschild Liquors store to which he has added the neon legend, “Mama’s Milk.”
By Sara Freund
The final two art installations at the Red Line’s 95th Street station were unveiled Monday morning. The two pieces by artist Theaster Gates are part of the massive terminal overhaulwhich wrapped up in January.
By Zach Mortice
A school at the University of Chicago is opening itself up to the South Side through public policy and architecture, with help from Theaster Gates.
By Sofia Lekka Angelopoulou
chicago-based artist theaster gates explores social histories of migration and interracial relations in an entirely new project at palais de tokyo in paris. marking his first solo museum exhibition in france, the project examines a specific episode in american history as its point of departure.
By Justin Arnold
Internationally acclaimed artist and urban planner Theaster Gates, whose rise to prominence began with his use of art and culture to revive underserved neighborhoods in his hometown of Chicago, was named the 2018 recipient of the ULI J.C. Nichols Prize for Visionaries in Urban Development at the Institute’s 2018 Fall Meeting in Boston.
By Lisa Movius
A massive Theaster Gates exhibition is in the works for March 2020.
By Marika Lion
For the first time in the United States, Theaster Gates "Facsimile Cabinet of Women Origin Stories" an exhibition that contains about 3000 images from the archive of the Photograph from the archives of the Johnson Publishing Company. Until 8 September 2019 at the Colby Museum of Art, Waterville, Maine.
By Ann Binlot
For his first solo museum exhibition in France at Palais de Tokyo, Theaster Gates explores America’s dark forgotten past through the interracial exile of Malaga Island.
“Nothing is pure in the end… A sea of wood, An island of debate. Can an exhibition start to shift the negative truths of the history of a place?”
Fusing the twin legacies of spiritual jazz and Chicago house.
Artist and musician Theaster Gates has announced the second release on his Black Madonna Press label in collaboration with The Vinyl Factory.
By Blair Kamin
Chicago artist Theaster Gates, who turned a decrepit neo-classical bank building into a cultural hub called the Stony Island Arts Bank, will be among the participants of the 2019 Chicago Architecture Biennial that opens in September.
By Sydney Franklin
Theaster Gates, MASS Design Group, Wolff Architects, as well as Forensic Architecture and Invisible Institute are among the first wave of contributors announced for this fall’s 2019 Chicago Architecture Biennial. The show, titled …and other such stories, will be an expansive look into global projects that delve into how architecture relates to land, memory, rights, and civic participation. The initial list of participants, announced last week, features 51 artists, collectives, architects, and researches from 19 countries—only half of the soon-to-be full lineup of participants.
By Kerry Hannon
Colby College Museum of Art, which was founded in 1959, comprises five wings, nearly 8,000 works, and more than 36,000 square feet of exhibition space. A current exhibition, “Theaster Gates: Facsimile Cabinet of Women Origin Stories,” includes nearly 3,000 images from the Johnson Publishing Company archive. Founded in 1942, Johnson Publishing recorded the lives of black Americans for more than 70 years through the magazines Ebony and Jet.
By Olivier Cena
In 2015, in Venice, a video installation managed to bring the Biennial out of the boredom in which the mediocrity of the exhibited works plunged it.
By Stacy Blanchet
Theaster Gates’s Facsimile Cabinet of Women Origin Stories will make it’s U.S. debut Tuesday, March 12, at the Colby Museum of Art, 5600 Mayflower Hill Drive, in Waterville.
By Sandra Smallenburg
The new exhibition 'Amalgam' by Theaster Gates revolves around a small American island with a loaded history of racial purification. "The beauty of mixed forms, that's what this work is all about."
By Valérie Duponchelle
This is the first museum exhibition in France of Theaster Gates, conceptual king of the African-American scene. In the Palais de Tokyo, slavery relives via the remains invented of a "false archeology".
By Amy Verner
For his first exhibition in France, artist Theaster Gates has dredged up a dark and largely unknown fragment of American history. It concerns Malaga, a small island off the coast of Maine where, until 1912, a self-sufficient maritime community lived in relative isolation.
By Taylor Nicole Rogers
Prada has tapped "Selma" director Ava DuVernay and artist Theaster Gates to advise the Italian fashion house on diversity issues after the company released a holiday collection featuring blackface imagery.
By Mark Westall
In an astonishingly short space of time, Chicago-based artist Theaster Gates has incubated compelling new models for legacy building, social transformation, and making art. Encompassing sculpture, painting, ceramics, video, performance, and music, his art both derives from and sustains ambitious urban renewal projects, creating hubs and archives for black culture, which serve as catalysts for discussions on race, equality, space, and history.
By Paul Petrunia
This week on Archinect Sessions we’re sharing our inspiring conversation with Theaster Gates. For those of you who aren’t already familiar with Theaster, you’re in for a treat. Theaster Gates often refers to himself as a potter, and while it’s true that he is, through years of training and practice, he’s also an extremely talented multidisciplinary artist, urban planner and community-focused social activist.
By Lisa Bertagnoli
The Chicago-based artist and Hollywood director Ava DuVernay have been tapped to co-chair the Milan fashion house's new Diversity & Inclusion Advisory Council.
By Anna Sansom
The US artist Theaster Gates has taken the eviction of a mixed-race community from a small island in Maine as the starting point for his first solo exhibition in France, opening this month at the Palais de Tokyo.
By BLOUIN ARTINFO
For his first solo show in France, Theaster Gates will showcase a new project, pursuing the exploration of social histories of migration and interracial relations, which will be on view at Palais de Tokyo, Paris, from February 20, 2019, to May 12, 2019.
By Ruth La Ferla
The image was arresting. Screened on a wall of the Freehand Miami hotel, it showed a bikini-clad woman playing volleyball on the beach. The blowup itself was not extraordinary, except that its subject was black.
By Ruth Lopez
The Chicago artist will mill a portion of the period wood for the $4m project to replace the historic New York building's floor.
By Samantha Tse
At this year's Art Basel Miami Beach, Prada launched Prada Mode Miami, a pop-up members-only club that featured a tightly edited program of art, music and dining.
By Whitney Mallett
Thursday night in Miami, artist Theaster Gates and his band the Black Monks of Mississippi performed at the pop-up club Prada Mode.
By Nick Remsen
The pop-up club’s visual tone was set through an “intervention”—essentially a gallery-like design takeover—by the artist Theaster Gates, whose work was seen throughout. (He currently has a show at the Fondazione Prada in Milan, on view until January 13.) Gates also performed later on Thursday evening with the Black Monks of Mississippi Live, tucked away in a low-lit lounge full of hushed onlookers.
By Annie Armstrong
On Wednesday night, the Zaha Hadid-designed Moore building in Miami’s Design District played home to a starry (RED) Auction curated by artist Theaster Gates and architect David Adjaye alongside the rock star Bono to raise money for the fight against HIV/AIDS.
By Sarah Cascone
Who’s the man in charge of designing the latest hot spot at this week’s Art Basel Miami Beach? None other than Chicago social practice artist Theaster Gates, who has created a site-specific installation for Prada Mode, the luxury brand’s new members-only night club that is blending contemporary art, music, and dining.
By Minhae Shim Roth
"Theaster Gates: Soul Manufacturing Corporation." November 10 - December 21, 2012. Dennis Scholl calls Theaster Gates’ performance and installation Soul Manufacturing Corporation “my personal favorite.”
By Victoria L Valentine
CHICAGO-BASED ARTIST Theaster Gates is now represented by Gagosian gallery. Over the past decade, Gates has gained global renown for his unique social practice focused on preservation, restoration, and archiving. Constantly traveling, he has captivated the international art world with his vision for transforming communities through art, cultural development, and social engagement.
By Joe Gose
For the last several years, Theaster Gates has combined his urban planning and artistic talents to revive impoverished neighborhoods in his hometown of Chicago while preserving local heritage and black history.
By Andy Battaglia
Gagosian gallery will represent Theaster Gates, with plans for a first show with the Chicago-based artist in New York in spring 2020.
By Rachel Spence
The unassuming façades of London’s Kentish Town do not whisper that celebrities hide within. Yet this is where photographer Rankin has his studio. It is also where I find my triumvirate of interviewees: architect David Adjaye, contemporary artist Theaster Gates and rock legend Bono.
By Honey Luard
Pure, uncompromising and unapologetic artist books are all too rare in mainstream publishing. To overcome this, the irrepressible Chicago-based artist Theaster Gates has set up his own imprint, Black Madonna Press, as just one more weapon in an arsenal at the service of his socially engaged ventures.
By Caroline Christie
Ahead of November’s midterms, artists will run billboards in every US State plus Washington, D.C., and Puerto Rico, that, according to its organizers, is the “largest creative collaboration in US history.”
By Justin Arnold
Internationally acclaimed artist and urban planner Theaster Gates, whose rise to prominence began with his use of art and culture to revive underserved neighborhoods in his hometown of Chicago, has been named the 2018 recipient of the ULI J.C. Nichols Prize for Visionaries in Urban Development. Gates was awarded the prize by Michael Spies, ULI governing trustee and 2018 Nichols Prize jury chairman, during the opening general session of the 2018 ULI Fall Meeting.
By Alex Greenberger
As part of a three-year plan to give $40 million in grants to organizations in Chicago’s South and West Sides, JPMorgan Chase has made a $300,000 philanthropic investment in the Rebuild Foundation, a nonprofit run by the artist Theaster Gates that facilitates free arts programming and various initiatives primarily intended to reach the black community in the South Side.
By Carly Olson
Add another item to your Design Miami calendar—Sotheby's is bringing its high-design offerings to the Florida's buzziest city this December. AD100 architect David Adjaye and artist Theaster Gates—in collaboration with musician Bono—have curated the third Sotheby's (RED) Auction to benefit the fight against AIDS. Sotheby's first two (RED) auctions in 2008 and 2013 raised a total of $68 million, which funded HIV/AIDS programs in Africa. Proceeds from this sale will support community-driven AIDS programs in Africa as well as the Rebuild Foundation, a Chicago-based cultural development organization founded by Gates.
By Maudlyne Ihejirika
Sitting on the back of a leather armchair that once occupied the offices of Johnson Publishing Co., artist Theaster Gates gestures toward a two-story wall of books that also belonged to the Ebony/Jet publisher.
By Steve Johnson
In the title of “A Johnson Publishing Story,” the new exhibition looking at the longtime powerhouse of African-American print media, the indefinite article is key.
By Steve Rose
Whether he’s saving condemned buildings, playing jazz or redistributing Frankie Knuckles’s record collection, the artist wants to spread the word about the black experience – and point the way to salvation
By Bill Stamets
“A Johnson Publishing Story,” an exhibition that opened in Chicago last week, memorializes the iconic tastes of the late John and Eunice Johnson, pioneers in African-American publishing, fashion and cosmetics. Chicago artist/developer Theaster Gates has installed select furnishings from the Johnson Publishing Co. offices in the Ebony/Jet building that opened in 1972.
The artist has delved into magazine archives to create powerful images of “the everyday black woman”
By Helen Stoilas
Using the $100,000 he won as part of the Nasher Sculpture Center’s 2018 Nasher Prize, Theaster Gates bought himself a printer. Not your ordinary inkjet printer—not even a cutting-edge 3D printer—but a German-made, Heidelberg Windmill printing press.
By Andrew Russeth
At a dinner last night at an event space in a sprawling garden north of Basel’s main drag that was given in honor of his current exhibition at the Kunstmuseum Basel, after heartfelt speeches from his dealers Jay Jopling and Shaun Regen, the artist Theaster Gates bounded up to the microphone and launched into a section of “It’s My Party” as everyone put down their forks and knives and the volume of the speakers was adjusted so that everyone could hear him.
By Anton Spice
Gates launches new label Black Madonna Press with The Black Monks Of Mississippi EP.
Artist and archivist Theaster Gates will explore the cult of the Black Madonna across two venues of the Kunstmuseum in Basel this summer. Turning two floors of the museum into a space of creative production, Gates has set up a temporary sound studio and printing workshop where live performances and interventions by the artist will take place.
Acclaimed contemporary artist Theaster Gates told Colby seniors to use their brains and hands to make the invisible visible, create an abundance worth sharing, and change the world for the better.
By Bob Keyes
Theaster Gates, a visual artist with a background in urban art, will serve as a visiting artist and director of artist initiatives at the Lunder Institute for American Art at Colby College in Waterville. Sharon Corwin, director of the Colby College Museum of Art, announced the appointment Wednesday afternoon.
By Peter Libbey
Theaster Gates, a Chicago artist known for his engagement with urban issues, is coming to Waterville, Me., a city with a population of roughly 16,000.
Artist Theaster Gates and the University of Chicago intend to build a new $1.5 million park located along Garfield Boulevard, which would include footpaths for pedestrians, areas for outdoor performances and movie screenings, and new lighting and fencing.
By Hilarie M. Sheets
“It’s a super-interesting moment to be at the National Gallery, where the question of what it means to be an American, and what kind of American are you, has a new kind of resonance,” said Theaster Gates, the sculptor, installation and performance artist and urban interventionist, whose exhibition “The Minor Arts” opened there this month in Washington.
By Robin Scher
Today the Chicago-based artist Theaster Gates, operating under the banner of his nonprofit Rebuild Foundation, announced the launch of Dorchester Industries, a self-described “workforce training and apprenticeships initiative for un- or underemployed people across the South Side of Chicago.”